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Anti-establishment artists such as Gustave Courbet, Jean Francois Millet and had already started to paint real life images (Realism) instead of mythology, and historical topics, but they were still painting using traditional techniques of applying paint (applying the paint smoothly to the canvas and blending it to create a flat surface).

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Neither Marx nor Engels wrote systematically on aesthetics, although Marx planned to do so in 1841–1842 and again in 1857. As with their ideas on a whole range of topics, their thinking on the arts must be extrapolated mainly from statements made in texts addressing other matters from across their diverse literary remains. It was not until the period of the Third International that an extensive compilation of these statements was made under the direction of Mikhail Lifshitz. (For Lifshitz, see .) The fruits of this labor were a sequence of Soviet bloc publications that include and . These remain useful, but —which was not produced under the shadow of Stalinism—is a more balanced presentation. exhaustively traces Marx’s readings in literature and his literary opinions throughout his life; it also restores to them the historical dimension largely absent from the Soviet anthologies. Marx’s statements on the visual arts are far less extensive than those on literature, but his judgments on the relative value of different style epochs were linked in important ways with his larger historical perspective, as shows. remains impressive in its nonjudgmental presentation of a wide array of thinkers associated with the Second and Third Internationals as well as with the Western Marxist tradition. It also has a useful bibliography. To date the only book-length presentation of the history of Marxist art history is , which includes essays on five of the most important and influential Marxist art historians, together with three on Marxist thinkers whose work has had a particularly profound influence within the discipline (Benjamin, Lefebvre, and Morris), and a further three evaluating the contributions of the art-historical New Left.

Art History; Claude Monet's Biography

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claude monet & Impressionism - Art History bibliographies ..

art historian Paul Smith claims that Monet might have named the painting Impression to ..

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