40 Useful Words and Phrases for Top-Notch Essays

Cool words use essay - Start CJI

17 Words to Use in Your Essays to Impress Your English Teacher ..

I practiced this essay and faced some conflicts. So I partially agree and wanted to present a balanced view, however in writing I had a lot of points, for both positives and negatives in mind and considering word limit, I was not able to elaborate properly.

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Shakspeare never introduces a catalectic line without intending an equivalent to the foot omitted in the pauses, or the dwelling emphasis, or the diffused retardation. I do not, however, deny that a good actor might by employing the last mentioned means, namely, the retardation, or solemn knowing drawl, supply the missing spondee with good effect. But I do not believe that in this or any other of the foregoing speeches of Polonius, Shakspeare meant to bring out the senility or weakness of that personage's mind. In the great ever-recurring dangers and duties of life, where to distinguish the fit objects for the application of the maxims collected by the experience of a long life, requires no fineness of tact, as in the admonitions to his son and daughter, Polonius is uniformly made respectable. But if an actor were even capable of catching these shades in the character, the pit and the gallery would be malcontent at their exhibition. It is to Hamlet that Polonius is, and is meant to be, contemptible, because in inwardness and uncontrollable activity of movement, Hamlet's mind is the logical contrary to that of Polonius, and besides, as I have observed before. Hamlet dislikes the man as false to his true allegiance in the matter of the succession to the crown.

How to Improve your Vocabulary 100 words to Impress an Examiner

Here’s a list of neglected but eminently useful words that visitors to this site -- and we, to be downright honest -- would like to 8 Responses to “Use Truncated Words with Caution” Bill on September 25, 2013 9:41 am.

How to Write an Essay (with Pictures) - wikiHow

The effect of this overbalance of the imaginative power is beautifully illustrated in the everlasting broodings and superfluous activities of Hamlet's mind, which, unseated from its healthy relation, is constantly occupied with the world within, and abstracted from the world without,— giving substance to shadows, and throwing a mist over all common-place actualities. It is the nature of thought to be indefinite;—definiteness belongs to external imagery alone. Hence it is that the sense of sublimity arises, not from the sight of an outward object, but from the beholder's reflection upon it;—not from the sensuous impression, but from the imaginative reflex. Few have seen a celebrated waterfall without feeling something akin to disappointment: it is only subsequently that the image comes back full into the mind, and brings with it a train of grand or beautiful associations. Hamlet feels this; his senses are in a state of trance, and he looks upon ex-ternal things as hieroglyphics. His soliloquy—