Live Free or Die Hard (2007) - Plot Summary - IMDb
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Learning how to die isn’t easy. In Iraq, at the beginning, I was terrified by the idea. Baghdad seemed incredibly dangerous, even though statistically I was pretty safe. We got shot at and mortared, and I.E.D.’s laced every highway, but I had good armor, we had a great medic, and we were part of the most powerful military the world had ever seen. The odds were good I would come home. Maybe wounded, but probably alive. Every day I went out on mission, though, I looked down the barrel of the future and saw a dark, empty hole.
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Exactly like the teen market they were targeting, teen exploitation films were full of sex and sin and booze and cars, but many of them also had a sanctimonious "moral" laid out explicitly, at the beginning or end of the film, often by a nameless authority figure behind a desk or podium, sometimes by a "survivor" of the "tragedy." These fake morals gave the raunchy stories the patina of respectability to placate parents and would-be censors. But for the kids, these movies mirrored the real world, in which teenagers were discovering they had a certain kind of power, a kind of power that just might be able to challenge the power of their parents. And the teen rebel was born. In 1954, just a year before the kids would start high school, Elvis Presley burst upon the American scene with his first hit, forever changing notions of gender and sexuality, rebelling against the "strong, silent type" model of previous generations of men like John Wayne and Gary Cooper, in favor of a remarkably sexual, nakedly emotional new model of maleness embodied by the likes of Marlon Brando and James Dean. John Waters documented this cultural shift in his film , set just a few years before