Paper and A Streetcar Named Desire.

A moving story about fading Southern belle Blanche DuBois and her lapse into insanity, ‘A Streetcar Named Desire’ contains much symbolism and clever use of colour.

Reilly in "A Streetcar Named Desire"

Need to read or watch the movie“Appearance vs. Reality in a Streetcar Named Desire”

One of his most successful plays is A Streetcar Named Desire.

(Wikipedia, 2005) Specific to Nabokov's Lolita and Williams' Streetcar Named Desire is the idea that both of the novels are written under the view of postmodernism as a cultural movement and that they are broadly defined as the condition of Western society especially after World War II (period in which the novel were written; 1947 for Streetcar and 1955 for Lolita)....

Woman in A Streetcar Named Desire

The themes of A streetcar Named Desire are mainly built on conflict, the conflicts between men and women, the conflicts of race, class and attitude to life, and these are especially embodied in Stanley and Blanche.

Scott Fitzgerald’s The Great Gatsby, and Tennessee William’s A Streetcar Named Desire.

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Fitting Gassner’s definition of a tragic character, Blanche DuBois in Tennessee William’s A Streetcar Named Desire caustically leads herself to her own downfall.

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Other things added to the brilliance of Streetcar. The producer Charles K. Feldman was able to work outside the studio system. Instead of picking from a menu of people that Warner Brothers had on contract, he could hire people from outside the studio. That way, Kazan was able to use his Broadway cast and pick the cameraman he wanted Harry Stradling and the composer Alex North. North produced a score quite different from the usual Hollywood strings. He did not adopt the conventional approach of a leitmotif for each character. Instead he tried to represent the relations between the characters by themes: jazz for Stanley’s virility and a sad, romantic tune for Blanche’s fantasies. Combining these themes allowed Stanley to have moments of tenderness with Stella, and Blanche to have her final painful acceptance of her age.

Blanche Dubois in A Streetcar Named Desire would be a perfect example of a tragic hero.

A Streetcar Named Desire Essay | Illusion vs

Kazan had been told by the studio bosses that if he refused to testify he would never make another film in America, and he desperately wanted to make movies. Directing was his life. John Lahr quotes a conversation Kazan had with Arthur Miller before his decision: “If he refused to testify, he told Miller, he would say to himself, “What the hell am I giving all this up for? To defend a secrecy I didn't think right and to defend people who'd already been named or would soon be by someone else?” That is, the committee already knew who had been communists. They just wanted prominent people to confess the error of their previous thinking and conform to what the government now thought they should think. I can understand Kazan’s choice but I cannot approve of it, even though I wonder, if I myself had been faced with the same choice, what I would have done.

A Streetcar Named 'Desire' has a few complicated character traits and themes.

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One of the main themes dealt with in William's A Streetcar Named Desire is that of truth and artifice, reality and illusion, as the main character Blanche Dubois is seen to live in her own imaginary world. Whilst her sister Stella deals with her reality Blanche creates illusions to forget hers.
Stella's reality belongs with Stanley, in their little apartment, with sex as their stronghold. Although Stella was brought up through different surroundings she is happy with her life with Stanley, shown when Blanche first enters and expresses her horror at the appearing situation, Stella replies:
"It's not that bad at all! ?
She is not ashamed to admit that she and Stanley came from two very different worlds, it is even suggested later that it is that that attracted her to the relationship as Stanley tells her:
"I pulled you down off them columns and how you loved it ?,
shows no sign of disagreeing. Stella appears to accept her partner's animal like nature; she realises that he is crude and violent at times but she deals with it and moves on. A prime example of this is the poker night when Stanley confirms to the reader, by his fierce behaviour, the inhumane beast that he is. Images of a monster are created as he
?lurches up and tosses some watermelon rinds to the floor'
Stella a ?loud whack' on the thigh. This type of behaviour was not something Blanche was ?o fait' with and ultimately despised it. Stella however had learned to be a part of it and even after Stanley hits her she returns to him and is even described to join him at his low level as they come together with
Blanche gives Stella the chance of leaving but she declines for she now accepts the life she has with Stanley.
Blanche alternatively deals with her realities by creating illusions. Blanche explains to Mitch that she lies because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make

Tennessee Williams delves into the theme of alcohol dependence throughout his play, A Streetcar Named Desire....

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Williams’s life, to say the least, is not what people would call “picture perfect.” His drama, “A Streetcar Named Desire,” has a direct reference to his life struggles....