Perhaps La Belle Dame sans Merci is attracted tothis kind of man.

Who defines the lady as 'la belle dame 'sans merci', as the femme fatale in this ballad? Keats places the definers and interpreters firmly within the patriarchal world. It is the knight who tells the story, who describes the lady for us and his questioner. The knight and the kings, princes and warriors who appear in his dream, belong to the masculine world of strife and action, government and politics. All have been attracted to the feminine bower world of the lady and her "elfin grot"; they have luxuriated in the pleasures she has provided. They have succumbed not so much to the lady but to something within themselves which desires to withdraw from the masculine world of duties and responsibilities. The lady provides the knight with sweet foods and lulls him to sleep. Now we are trying to see things from her perspective, we become more aware of the extremely ambiguous nature of that word 'lulled'. It can indeed mean to calm someone's fears or suspicions by deception. It can also, however, more innocently mean to soothe with soft sounds and motions, as a mother might soothe a child to sleep. We can assume that the pale kings and warriors with `starved lips' have had a similar experiences to the knight. In the lady's world they regress in an almost infantile manner. Then, recognising that the power and stability of the patriarchal world depends on the rejection of this, urge to withdraw, the kings, warriors, and princes have placed the blame squarely upon the woman, defined her as the temptress who has the knight in thrall. And the knight seems to authorise this definition: `And this is why I sojourn here', he tells his questioner. Wandering in this barren landscape, he is neither in the masculine world of strife and action nor the feminine world of the bower. In succumbing to his desire to withdraw from the duties and responsibilities of the former into the luxurious pleasuress of the latter he has undermined the definitions and assigned roles of male and female. Now neither is open to him; he is in limbo. A reading such as given above would fit well with Keats's general ambivalence concerning romance and the bower. Would it further illuminate such figures as the serpent woman `Lamia' and the `Fair plumed Syren' Romance in `On sitting down to Read King Lean once again"?

La Belle Dame sans Merci Summary | GradeSaver

Technical analysis of La Belle Dame Sans Merci literary devices and the technique of John Keats

La Belle Dame Sans Merci To Autumn - UK Essays

To start with, he identifies her as a supernatural being, a `faery's child' with `wild wild eyes' suggestive perhaps of madness. She speaks a strange language, and in her elfin grotto she lulls him to sleep. There may be a suggestion here that she is potentially treacherous since `lull' can denote an attempt to calm someone's fears or suspicions by deception. The lady's responsibility for his condition seems to be confirmed in the dream he has of the death of pale kings, princes, and warriors who claim 'La Belle Dame sans Merci / Hath thee in thrall!' `And this is why I sojourn here' he tells his questioner, apparently referring back to this 'horrid warning' of the dream. He stays because he is in thrall to the beautiful lady without pity.

''La Belle Dame sans Merci'' by John Keats Essay Sample

I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried - 'La Belle Dame sans Merci
Hath thee in thrall!'

I saw  kings and princes too,  warriors,  were they all; They cried -
Themes in La Belle Dame Sans Merci, analysis of key La Belle Dame Sans Merci themes

La Belle Dame sans Merci: A Ballad by John Keats | …

La Belle Dame sans Merci study guide contains a biography of John Keats, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

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La Belle Dame Sans Merci Essay Examples - Sample Essays

was an English poet writing in the early 19th century, towards the end of what became known as the "." The Romantic period isn't just about love stories – it was a political and social movement as well as a literary one. The Romantics were reacting to an 18th century obsession with order, rationality, and scientific precision. Romantic writers felt that these Enlightenment-era thinkers missed the point about what it meant to be human. After all, they argued, you can't write an equation to define human nature. So the Romantic movement was partly a backlash against the rationalism of the 18th century Enlightenment.

When critics talk about the Romantic poets, they usually focus on the "big six": , , and were the oldest of the six, and the younger generation included , , and our man, . Keats was the youngest of the six, but he was, alas, the first to die. He was only 25 years old when he died of tuberculosis in February 1821. Who knows what might have happened if he'd lived longer?

When Keats found out that he'd caught tuberculosis from nursing his brother, Tom, he was in despair (a diagnosis of tuberculosis in those days was like a death sentence). Keats felt that he'd just made a breakthrough in his writing, and was only beginning to write the kind of poetry that he was really capable of writing. Keats died in Italy, where the doctors thought the warmer weather might extend his life. He asked that his grave bear only the words "Here lies one whose name was writ in water," because he didn't think that he'd lived up to his potential – his life was too short to be memorable, and his poetry was like words "written in water." Boy, was he wrong – he's now celebrated as one of the most famous English poets of all time, despite his premature death.

"La Belle Dame Sans Merci" was written towards the end of his life, after his brother Tom died, but before he found out that he was dying of the same disease. Keats wrote it in 1819, but it wasn't published until 1820. The version that was published includes a lot of changes recommended by his friend and fellow poet, . Most critics, though, prefer the original version, so that's what we use in this guide. You'll know the difference right off the bat: the original version begins with the line, "O what can ail thee, knight at arms," while the edited 1820 version opens with, "Ah, what can ail thee, wretched wight."

John Keats La Belle Dame Sans Merci - Term Paper

A Commentary La Belle Dame Sans Merci By John Keats.

He is in ROMEO AND JULIET, in the WINTER'S TALE, in Provencal poetry, in the ANCIENT MARINER, in LA BELLE DAME SANS MERCI, and in Chatterton's BALLAD OF CHARITY.We owe to him the most diverse things and people.