Essay on the art of criticism, so far as it relates to painting.
Essay on the art of criticism, ...
It interprets the preacher in Hogarth's Enthusiasm Delineated primarily as an art dealer, and, as he is weighing works by Raphael and Rubens, the favourite painters of Roger de Piles, reads the whole scene as an ironic allusion to de Piles's Balance des Peintres, the notorious "hit parade" guide for eighteenth-century connoisseurs of painting.
"Projected Exhibition of the Sign Painters" 919 10.1.5.
Such smutty motifs were expected only in "low" Dutch genre pictures at that time, and it is possible that in Hogarth's paintings and prints these motifs serve to characterize the low social milieu of his contemporaries.
An Essay on the Theory of Painting
Most of these interpretations pose obvious difficulties for a painter. The Jeremiah text needs tobe written in full and interpreted for its relevance to become apparent. Jerome’s suggestion would demand afairly long and legible text to be intelligible to a viewer. The attempt to illustrate the interpretations ofLuther and Calvin would raise the problem that we shall soon face in pushing towards afuller interpretation of Blake’s design: is Jesus, with his finger in the dust, about to write something ornot, and if so, what?
Köp An Essay on the Theory of Painting
Blake shows her with wrists bound behind her back, and he is the only painter I know of to dothis. This detail increases her apparent helplessness, and makes her release more obviously dependent upon theact of another. But it also almost forces her to stand upright, and prevents her from covering her body. Thewoman is thus in a state which combines bondage and helplessness with freedom and defiance. She is in ano-man’s land between life and death; her would-be accusers have fled, and with them the threat of immediatedeath, but she is still bound. She looks at Jesus’s hand with steady concentration,waiting for the words that will release her into life.