An essay on the theory of painting [by Richardson].

Shows that Hogarth, Governor of the Foundling Hospital and a friend of sea captain Thomas Coram, certainly knew the new generation of British marine painters.

Essay on the art of criticism, so far as it relates to painting.

An essay on the whole art of criticism, as it relates to painting ...

Essay on the art of criticism, ...

It interprets the preacher in Hogarth's Enthusiasm Delineated primarily as an art dealer, and, as he is weighing works by Raphael and Rubens, the favourite painters of Roger de Piles, reads the whole scene as an ironic allusion to de Piles's Balance des Peintres, the notorious "hit parade" guide for eighteenth-century connoisseurs of painting.

"Projected Exhibition of the Sign Painters" 919 10.1.5.

Such smutty motifs were expected only in "low" Dutch genre pictures at that time, and it is possible that in Hogarth's paintings and prints these motifs serve to characterize the low social milieu of his contemporaries.

The essay interprets the eight-picture Rake's Progress series as an allusion to the life of Christ.

An Essay on the Theory of Painting

Most of these interpretations pose obvious difficulties for a painter. The Jeremiah text needs tobe written in full and interpreted for its relevance to become apparent. Jerome’s suggestion would demand afairly long and legible text to be intelligible to a viewer. The attempt to illustrate the interpretations ofLuther and Calvin would raise the problem that we shall soon face in pushing towards afuller interpretation of Blake’s design: is Jesus, with his finger in the dust, about to write something ornot, and if so, what?

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Blake shows her with wrists bound behind her back, and he is the only painter I know of to dothis. This detail increases her apparent helplessness, and makes her release more obviously dependent upon theact of another. But it also almost forces her to stand upright, and prevents her from covering her body. Thewoman is thus in a state which combines bondage and helplessness with freedom and defiance. She is in ano-man’s land between life and death; her would-be accusers have fled, and with them the threat of immediatedeath, but she is still bound. She looks at Jesus’s hand with steady concentration,waiting for the words that will release her into life.

* * *John Nichols, "Biographical essay on the genius and works of Hogarth (Part I)", ed.

An essay on the theory of painting

Baldwin Brown, William Hogarth (London: The Walter Scott Publishing Co., 1905).217-page study on Hogarth's life and art from a sociocultural and art historical point of view, stressing his technical skill as a painter, and his originality.

* * *John Nichols, "Biographical essay on the genius and works of Hogarth (Part II)", ed.

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The book begins with an overview of Byatt’s writing and, drawing on her interviews and essays, sets forth the critical principles that inform the novelist’s work. Following this introduction, a chronologically structured account of the novels and short stories traces Byatt’s literary development.

The author abandons his former "view of Hogarth as 'a painter's painter' ...

Jonathan Richardson, An Essay on the Theory of ..

Blake has shown Jesus in the act of beginning to write with his finger on the ground. This is acommon enough moment to choose for illustration, as the historical survey above has shown, but again there areunusual elements in Blake’s handling of the figure. Bruegel and various eighteenth-century painters hadshown Jesus lowering himself onto one knee in order to write. But no painter known to me had, since the ninthcentury, shown Jesus simply bending from the waist to write. As a moment’s trial will show, Blake’s Jesusis doing something rather difficult, despite the apparent ease of the gesture. He has, like the woman, analmost athletic physical presence; the painting comes near to implying that such bodily strength and grace arealone sufficient to deflect accusation.