rebellious teenager essay the smell of teenage rebellion ess
September 2004 Remember the essays you had to write in high school
Unlike their parents, rock and roll took teenagers . It took teenage and teenage seriously. It put teenage emotions on a level with adult emotions, and it made teenagers feel like adults. And the best part for the kids was that parents rock and roll. (A 1957 article in asked "Are You Afraid of Your Teenager?") Much of the authenticity of lies in its songs, a virtual catalog of 1950s styles, structures, chord progressions, lyrical themes, distinctive bass lines, and unforgettable guitar licks, all as authentic as a 1954 Fender Stratocaster. By opening the show with the old-fashioned "Alma Mater," followed by the explosion of the hard rocking "Alma Mater Parody," the kids of literally rebel against their older selves (at the reunion), the past assaulting the present, reminding the adults in the audience that most of them have become what they once hated most: The Establishment. The "Alma Mater Parody," blasts off with one of the most famous guitar licks of all time, created by Chuck Berry for the hit "Johnny B. Goode." Berry was one of the fathers of rock and roll, and so in this first scene, instantly establishes its authenticity and its as a rock and roll document.
Why Nerds are Unpopular - Paul Graham
Exactly like the teen market they were targeting, teen exploitation films were full of sex and sin and booze and cars, but many of them also had a sanctimonious "moral" laid out explicitly, at the beginning or end of the film, often by a nameless authority figure behind a desk or podium, sometimes by a "survivor" of the "tragedy." These fake morals gave the raunchy stories the patina of respectability to placate parents and would-be censors. But for the kids, these movies mirrored the real world, in which teenagers were discovering they had a certain kind of power, a kind of power that just might be able to challenge the power of their parents. And the teen rebel was born. In 1954, just a year before the kids would start high school, Elvis Presley burst upon the American scene with his first hit, forever changing notions of gender and sexuality, rebelling against the "strong, silent type" model of previous generations of men like John Wayne and Gary Cooper, in favor of a remarkably sexual, nakedly emotional new model of maleness embodied by the likes of Marlon Brando and James Dean. John Waters documented this cultural shift in his film , set just a few years before