MacBeth - Tragic Hero - FIELD OF THEMES

In the late medieval period, the fiefdom often became hereditary, and the firstborn son of a knight or lesser nobleman would inherit the land and the military duties from his father upon the father's death. Feudalism had two enormous effects on medieval society. (1) First, it discouraged unified government because individual lords would divide their lands into smaller and smaller sections to give to lesser nobles and knights. These lesser noblemen in turn would subdivide their own lands into even smaller fiefs to give to even less important rulers and knights. Each knight would swear his oath of fealty (loyalty) to the ones who gave him his lands, which was not necessarily the king or higher noblemen, let alone an abstraction like "France" or "England." Feudal government was always an arrangement between individuals, not between nation-states and citizens. (2) Second, it discouraged trade and economic growth. Peasant farmers called serfs worked the fields; they were tied to individual plots of land and forbidden to move or change occupations without the permission of the lord. The feudal lord might claim one-third to one-half of the serf's produce in taxes and fees, and the serfs owed him a set number of days each year in which they would work the lord's fields in exchange for the right to work their own lands. Often, they were required to grind their grain in the lord's mill and bake all their bread in the lord's oven in exchange for other fees. In theory, the entire community might be divided into (the noblemen who fought), (the agricultural laborers who grew the food), and (the clergy who prayed and attended to spiritual matters). In actuality, this simple tripartite division known as the proved unworkable, and the necessity of skilled craftsmen, merchants, and other occupations was quite visible in spite of the theoretical model espoused in some sermons and political treatises.

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MacBeth - Tragic Hero: The character of Macbeth is a classic example of a Shakespearean tragic hero

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This study guide is intended for students taking exams at GCE Advanced (A2) and Advanced Supplementary (AS Everything Shakespeare - Free Essays - FIELD OF THEMES NEW!

Enjoying "King Lear" by William Shakespeare

345. (also known as the "three dramatic unities"): In the 1500s and 1600s, critics of drama expanded Aristotle's ideas in the to create the rule of the "three unities." A good play, according to this doctrine, must have three traits. The first is unity of action (realistic events following a single plotline and a limited number of characters encompassed by a sense of ). The second is unity of time, meaning that the events should be limited to the two or three hours it takes to view the play, or at most to a single day of twelve or twenty-four hours compressed into those two or three hours. Skipping ahead in time over the course of several days or years was considered undesirable, because the audience was thought to be incapable of suspending disbelief regarding the passage of time. The third is unity of space, meaning the play must take place in a single setting or location. It is notable that Shakespeare often broke the three unities in his plays, which may explain why these rules later were never as dominant in England as they were in French and Italian Neoclassical drama. French playwrights like Moliére conformed to the model much more strictly in and .

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SparkNotes: The Chrysanthemums: Themes, Motifs, …

The Taming of the Shrew is one of Shakespeare's earliest comedies, focusing on courtship and marriage, while also sharing the essential characteristics of a romantic comedy - disguise, deception, slapstick humour and a happy ending....

Enjoying "King Lear", by William Shakespeare by Ed Friedlander M.D

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189. A form of in poetry. In this poetic device, the poet creates a new compound word or phrase to describe an object or activity. Specifically, this compound uses mixed imagery () to describe the properties of the object in indirect, imaginative, or enigmatic ways. The resulting word is somewhat like a riddle since the reader must stop and think for a minute to determine what the object is. Kennings may involve conjoining two types of dissimilar imagery, extended metaphor, or mixed metaphor. Kennings were particularly common in Old English literature and Viking poetry. The most famous example is ("whale-road") as a poetic reference to the sea. Other examples include "Thor-Weapon" as a reference to a smith's hammer, "battle-flame" as a reference to the way light shines on swords, "gore-bed" for a battlefield filled with motionless bodies, and "word-hoard" for a man's eloquence. In , we also find ("bone-house") for body, ("gold-friend of men") for generous prince, ("flashing light") for sword, and ("ring-giver") for a lord.

However, themes just don’t stop with the moral of the story alone.

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146. Recurring patterns of imagery or narrative that appear in and folktales. Common folkloric motifs include the wise old man mentoring the young warrior, the handsome prince rescuing the damsel in distress, the "," and the "trickster tricked." Others include "," "the exchange of winnings," and the who transforms into a beautiful maiden (all common in Celtic folklore). These folkloric motifs appear in , in , in , in archetypal stories (see ), and in some of Shakespeare's plays.